“Music’s about being the right thing at the right time in the right place,” says Dan Black, “and you can’t really engineer that.” If anyone should know, it’s he: Some 15 years after the singer, songwriter and producer started his career in London, he looks as though he might, all of a sudden, break through in North America.
Sometimes Mark Gane feels as if he’s living in a Talking Heads song. “I look around, and it’s like ‘Once in a Lifetime,’” says the guitarist, singer, and songwriter for Martha & The Muffins. “‘Look at my beautiful car and my house. How did I get here?’ I can’t really explain how it’s all happened. It constantly astounds me.”
Nikki Yanofsky has a habit of astonishing people. Usually this is how it happens: first, she bounds onstage in a club or a theatre, a petite teenage gamine in front of a greying, paunchy all-male jazz combo. She then snaps her fingers and counts off the introduction to a jazz standard. The moment her voice rings out, the venue echoes with the sound of dropping jaws.